Video from the event is embedded below.

Jason’s powerpoint presentation:

Top Secret Weibo Presentation

“It really is a brilliant story! Although I’m not sure about how much truth or factual information we can expect from a stage play, this version of the story really is rather compelling and captivating…I was particularly struck by a few scenes in Act 2 as they provoked thoughts that never occurred to me before. It was the first time I watched a stage play that featured American actors and I like their style of performance very much. Their acting was so natural and convincing that I almost forgot I was looking at a performance! Amazing!”

“In my opinion, the power and duty of the press is to enable the mass to know more about the truth. The significance of the existence of the press is to investigate and analyse news events in depth in order to uncover the truth. Some information, once revealed, will inevitably cause upheaval and unrest in society or even damage the image of the government in the eyes of the public. However, concealing the truth is not only unhealthy to the development of journalism itself but is also unfavorable for the development of a country’s democratic development.”

“Right before the end of the play, it seems the audience had been encouraged to hold themselves against the U.S. government in support of The Washington Post. But in the very last scene, Brian Kelly’s closing remarks got me think again – indeed, shouldn’t the press take into account national security while seeking the freedom of speech?… Back to the present, we see that the power of the media is growing, and the influence of news reports has become stronger than ever. In this case, the media should be more cautious about the adverse effect each piece of information they publish could cause to the innocent. That is especially true in today’s world where  commercial competition dominates the society. The media should strengthen their sense of social responsibility and the ability to reflect.”

“The spirit of questioning penetrates almost all the great contemporary plays…Drama is an art of questioning as it makes us question what is real, what is human nature and what is life. And this play forces us to question the boundary between freedom and morality.”

“My first reaction to the story of Top Secret was thinking that such an event can not possibly happen in China. The seed of democracy in this country, without doubt, still needs long-term cultivation.”

“Top Secret in the U.S. may just be a docu-drama, but in China, it’s reality. The talk after the performance was canceled due to fear of “unforeseen consequences”… Abraham Lincoln once said that ‘You can fool all of the people some of the time, some of the people all of the time, but you can’t fool all of the people all of the time.’ The drama is a wake-up call for all Chinese citizens . Freedom or slavery, the choice is yours, my dear friends! ”

“An action is worth a thousand words. Each scene in The Battle of the Pentagon Papers is filled with rich meanings, historical facts and ideas…The victory of the Washington Post owes in part to the structure and principles of the U.S. political system. In China, long-term efforts are needed to earn the freedom of the press. However, if we can not say the truth, we can at least make sure we do not tell lies.”

“The fact that the Americans came all the way to China to talk about transparency in the government’s operation is worthy of recognition.”

“The playwright represented a historical event as a documentary on the stage by virtue of his deep grounding in journalism and the legal world, using series of captivating dialogues, inviting the audience onto a journey on the time machine back to the point in time when the event took place… I have never seen a play with such simple stage design, so simple to the extent where there was almost no sets or props. Plots and lines were the main tools of communication with the audience. The actors’ excellent performance made me appreciate the infinite charm of stage play. It was indeed a very professional cast!”

“…More often than not, a documentary play regarding such a serious topic might turn out to be extremely boring. They have a tendency of talking way too much about facts and past events. I was pleasantly surprised by the short clip manner that this production played out with its storyline. The Battle for the Pentagon Papers followed a style of minimalism. This means that the play had strived to keep its sets and props as simple as possible. During the entire show, there were only a few chairs and a desk on the stage. Therefore, the success of the play would be heavily influenced by the dialogues between the actors.

The actors of exhibited a strong combination of gestures and dialogues that kept the audience amused and entertained. You know what? I could go on and on about how great the play’s technicality is, but the most moving part about this play is the message it tried to communicate…

…China has its own series of problems concerning censorship. The government has almost absolute control over most mainstream media. This meant that most stories or news that a paper finds must go through an elaborate screening process before it is approved for the public’s eyes. This goes into direct conflict with what the play was trying to say. The sole purpose of all media is supposed to be for the exposure of truth for the general public, which was the message of the play. The mainstream media in China have a different purpose. They, unfortunately, are “employed” by the government. This means that they no longer are writing for truth but instead for the government. In this scenario, the media act as the Public Relations officer. They essentially are in charge of all the publicity stunts. This means that they shield away the darker side of society. This play undoubtedly had left all the audience members with a deep impression. When I left the theater, I was left wondering what if freedom of press becomes available in China…”

“It was my first time to watch a stage play featuring an American cast. The most interesting aspect of the play was that the characters were also narrators. The background music feels very real.”

Click below:

]]> http://topsecretplay.org/2012/02/read-the-top-secret-script-in-english/feed/ 0 http://topsecretplay.org/2012/02/read-the-top-secret-script-in-chinese/?utm_source=rss&utm_medium=rss&utm_campaign=read-the-top-secret-script-in-chinese http://topsecretplay.org/2012/02/read-the-top-secret-script-in-chinese/#comments Tue, 28 Feb 2012 19:36:18 +0000 kmbrowne http://topsecretplay.org/?p=885 Download the script of TOP SECRET from the China tour in Chinese.

Click below:

Listen to the speech here:  “National Security vs. Free Speech: An American Case Study”

A copy of the speech, edited for publication, can be downloaded by clicking on the image below:

Chinese Allow Play on Pentagon Papers, but Not a Talk About It
The New York Times
December 2, 2011

Pentagon Papers still causing controversy 40 years on (in China)
Los Angeles Times
December 3, 2011

The Pentagon Papers, the Press, and Beijing
New Yorker
December 9, 2011

In Beijing, you just can’t chat about things “Top Secret”
Shanghai Scrap, Bloomberg
December 3, 2011

American Play Center on Free Speech Tours China
Voice of America News
December 5, 2011

STL Students Attended a Performance of “Top Secret”
Peking University School of Transnational Law
November 30, 2011

PKU cancels talk after free speech play
Global Times
December 4, 2011

Le pari (in)sense d’une troupe de theatre americaine en Chine
Le Monde
December 9, 2011

This China production of Top Secret was directed by award-winning director Stephen Sachs. The cast included well known actors from stage, screen, and television including Henry Clarke, JD Cullum, James Gleason, Nicholas Hormann, Amy Pietz, Russell Soder, Josh Stamberg, Peter Van Norden, Steve Vinovich and Tom Virtue.

In conjunction with performances, CCLP presented post-performance discussions with Cowan and other special guests in partnership with China’s leading law and journalism schools. This provided a valuable opportunity to contextualize the content of the play, which is authentically American, within Chinese society.

In addition to the performances and discussions, Cowan delivered the prestigious F.Y. Chang lecture, a joint program of Peking University Law School, Tsinghua University Law School and the Harvard University Law School East Asian Legal Studies Program.

Links to coverage:
Voice of America
New York Times
Los Angeles Times

Tour Details

November 21 – 26, 2011 / Shanghai
Seven performances in the Shanghai Dramatic Arts Center’s Annual International Contemporary Theatre Festival
Panel discussions with Cowan and NYU Shanghai public interest law professors and Fudan University School of Journalism.
One performance at the Peking University (PKU) School of Transnational Law as part of the celebrations in honor of PKU Shenzhen’s 10th Anniversary;
Panel discussions, lectures, and workshops with bilingual law students, law professors, and local community led by law school Dean Jeffrey Lehman and Cowan.

November 29 – 30, 2011 / Guangzhou
Two performances at Sun Yat-Sen University
Panel discussions with Cowan about the role of journalists and journalism in society

December 1 – 5, 2011 / Beijing
Four performances at the Beijing Municipal Bureau of Culture’s Annual International Theater and Dance Festival
Panel discussions and lectures at the Comparative Law Program at Renmin University of China Law School; Peking University; Tsinghua University
Panel discussions with the American Bar Association.